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From: outdoor-art-box@sculpture.net
OPPORTUNITIES Sarah M. Gay Public Art Project Coordinator Denver Office of Art, Culture and Film 1380 Lawrence St., Suite 790 Denver, CO 80204 (303) 640-6951 PUBLIC ART OPPORTUNITY Budget: $100,000 Entry Deadline: Friday, March 15, 2002 Location: Denver, Colorado DENVER PUBLIC ART PROGRAM DISTRICT THREE POLICE STATION PROJECT Project Outline: The Denver Office of Art, Culture and Film is calling for an artist(s), or teams of artists, for a site-specific public art commission for the District Three Police Station project. The new station for District Three will replace the old station at the intersection of Iowa Ave. and S. University Blvd., near the I-25/ University Blvd. interchange. The total budget for this project is approximately $100,000, which includes all expenses of the artist(s). District Three plays an important role amid a group of neighborhoods that enjoy ethnic diversity and the bustle of a thriving university community, as well as several business and residential districts. Officers engage in many community activities such as Triad Senior Citizens' meetings, Torch Run, and Special Olympics. The striking design of the new station will attract interest in a station that is already a focal point of the neighborhood. Our Objective is to commission a work of art that conveys this commitment to community and connection and enhances the attraction of the building as an interesting, welcoming, safe place of law enforcement. Deadline for submissions is March 15, 2002. Submissions must be either postmarked by that date or hand-delivered to the Office of Art, Culture and Film at 1380 Lawrence St., Ste. 790 by 5:00 pm. on that date. For a complete prospectus or more information, please contact the Office of Art, Culture and Film. Due to the high level of interest the Public Art Program is receiving, we ask that communication be via email whenever possible, to: mary.valdez@ci.denver.co.us. If email is not an option, you may call the Program at 303-640-6950. A downloadable PDF file of the full prospectus is online; visit the website www.denvergov.org/artculturefilm; (click on 'Public Art Program' at left). Find this project under Opportunities or More News. Albuquerque, NM City of Albuquerque Public Art Program seeking proposals for artwork(s) at the City's Baseball/Sports Stadium. Proposals in a variety of media including electronic will be considered for three wall structures at the entrances. Artists are asked to consider possibilities within the broader theme of baseball and sportsmanship. Competition will be limited to artists in states contiguous to New Mexico as well as Mexico. Project budget: $100,000 deadline: 3/29/02 for complete prospectus contact: Jane Sprague at 505-768-2310 or kduran@cabq.gov King Co. WA King County Public Art Program announce 4 separate projects for the Co. solid waste facility ($225,000 budget, 4/12/02 deadline), International Airport ($40,000 budget, 3/18/02 deadline), Pacific pump station ($50,000 budget, 4/5/02 deadline) and Youth Detention Services Building ($20,000 budget, 4/15/02 deadline) for complete prospectus information go to http://metrokc.gov/exec/culture/callsforartists/index.htm (New) Public art: City of Fremont Public Art Project - CA Deadine: April 22, 2002. Request for Proposal - City of Fremont Public Art Project - Maintenance Center. Project Budget $144,000. Seeking a highly visible, established artist to design and coordinate the installation of an outdoor art commission at the new Maintenance Center in Fremont, CA. Three (3) locations are specified fenceline along Osgood Rd., entry plaza patio area behind main building, 60 ft. landscape area along Osgood Rd. Experience successfully managing public art projects in similar scope and size is required. A goal of the program is to commission America's most talented artists to create their best work for important civic buildings. Finalists (up to three) will receive $3,000 honorarium. For prospectus contact Irene Jordahl, Arts Supervisor, 3350 Capitol Avenue, Fremont, CA 94537 or 510-494-4228 or <A HREF="mailto:ijordahl@ci.fremont.ca.us"> ijordahl@ci.fremont.ca.us</A> Visit <A HREF="www.ci.fremont.ca.us"> http://www.ci.fremont.ca.us</A> (New) U.S Department in State Art in Embassies Program - DC Deadline: Ongoing. U.S Department in State Art in Embassies Program seeks artists to loan works of art for up to three years to embassies worldwide. The government will pay cost for pick-up, packaging, shipment, return, and insurance. Submit available resume and slides of work available to Gwen Berlin, Art in Embassies Program, U.S. department of State, Room B 258, Washington, DC 20520 or call 202/647-5723. More information may be found at <A HREF="www.state.gov/www/about_state/e-art"> www.state.gov/www/about_state/e-art</A>. Prince George's Co., MD Prince George's Art in Public Places Program Seeks experienced artists or design teams to create site-specifc artwork for 4 separate Co. facilities. One artist or team will be selected for each project. Project Budget: range from $35,000-$206,000 depending on project. deadline for submission: 3/29/02 contact: Laura Glover at 301/925-9448 for prospectus on all projects. PRESIDENT/CEO sought by The Center for Maine Contemporary Art - ME Deadline: A decision made no later than July. Rockport, is searching for a president/CEO to begin late summer, no later than September 1. Applications will be accepted immediately and will be reviewed as they are received. Contact: Penny Harris, Chair of Search, Center for Maine Contemporary Art, PO Box 147, Rockport, ME 04856; <A HREF="mailto:pharris@saturn.caps.maine.edu"> pharris@saturn.caps.maine.edu</A>; <A HREF="www.artsmaine.org"> www.artsmaine.org</A>. Arts Administrator - PA Arts Administrator to a busy art museum director with many other nationally known arts affiliations and the director of an important 9-year-old summer arts program in Acadia National Park, Mt. Desert Island, Maine. The program convenes museum directors, curators, and well-known artists - such as Aurtur Danto, Robert Rosenblum, Kara Walker, Vanessa Beecroft, and Paul Schimmel - from around the world. Excellent and flexible administrative and computer skills essential. Candidate must have top gallery or nonprofit arts administration experience and should have diverse and tireless social skills, welcoming the opportunity to extend and initiate creative programs, assist with exhibitions of permanent collection of painting and sculpture, as well as the documentation of them in the video and the photo library. Certain aspects comparable to Skowheagan or McDowell. Top salary plus great benefits. A truly unique opportunity to meet internationally known artisits and curators. Send resume by facsimile to (610) 286-5669, and then call (610) 363-2330 to confirm, or send e-mail to <A HREF="mailto:kippyss@aol.com"> kippyss@aol.com</A>. To Apply: Send resume by facsimile to (610) 286-5669, and then call (610) 363-2330 to confirm. ANNOUNCEMENTS Dear Friends Milestones for Peace web site is on the air , still we are working on it and hope to finish it by next week please take a look , write us back through the contact, so we will be able to add you to our mailing list. If you find any mistake in the spelling of the names or in the text please e mail me back the correction. thank you iris elhanani www.creatingpeace.org FOR IMMEDIATE RELEASE ?SPRING RING? Outdoor Sculpture Installation by Roy F. Staab at Charles Allis Art Museum. Created for Gallery Night, April 19th, ?A Mid-Spring nights dream? ring of golden natural materials, 30 to 40 feet in size, is made to fit the cool evening and green grassy alcove lawn, on the Prospect Avenue side of the building. It is open and free to everyone. Working with his favorite local reeds, Staab has spent a week gathering and building this uniquely site artwork, which will remain until May 4. Environmentally sensitive and fragile to the weather, this prized art object, will have it?s life watched over and be maintained by the artist. 2002 Wisconsin Arts Board Fellow, Roy Staab a Milwaukee native has lived for years in Paris and New York. He has made art works in sacred spaces of land and forests, water areas and riverbeds all over the world. Considered an ?earth? artist, his main interest however, is in creating impermanent, site-sensitive art works rather than heroic earthworks which he documents in quiet color photographs. ?Nothing is permanent in life so why should we pretend that art should be. I make art that is ?perfect? for a little while, that special moment, and after it will last in our mind.? Like works have been created for site at the MacDowell Colony, Cap Museum of Fine Arts, Chicago?s Lincoln Park, the Evanston Art Center and the Green Festival of Hiroshima. A concurrent photo-exhibition of Staab?s site installation sculptures is at KM Art Gallery in Milwaukee. Mr. Staab is also represented by Klein Art Works of Chicago where a living sculpture is on view in the garden. Roy Staab will be Artist in Residence for the City of Sapporo, Japan, this summer. He will work with Castle Hill Center for the Arts, Truro, Massachusetts, the last week of August. And create a sculpture for the exhibition Botanica, at the Cape Museum of Fine Arts, Dennis, Massachusetts, in September. For more information please contact: Roy Staab at 414 258-1366 or Sarah Haberstrom at Charles Allis Art Museum at 414 278-8295. Dear Colleagues and Friends, I am incredibly pleased to announce that the Town Council of Chapel Hill voted unanimously to pass a public art ordinance this evening. Based on the Percent-For-Art model, all projects included in the Capital Improvement Budget will be eligible for public art. The Town of Chapel Hill will be able to commission, purchase, or conserve works of art. Funds will be able to be pooled from multiple projects, when legally possible and desirable. To our knowledge, although there are many places in NC which have public art policies in place, Chapel Hill has passed the first public art ordinance in North Carolina. (Please correct me and let me know if another community has passed an ordinance before I spread this rumor too far.) This would not have been possible had it not been for the enthusiasm and support for public art expressed by the Town Council, especially Mayor Kevin Foy, combined with the partnership of the Chapel Hill Public Arts Commission and Town Staff. Please email Karen Slotta at the Chapel Hill Public Arts Commission, kslotta@townofchapelhill.org, if you would like to be included in our email list to hear about future projects and opportunities. While you are at it, email Mayor Kevin Foy at kevinfoy@townofchapelhill.org, to thank him for being such an advocate. And, you can always email me any thoughts, ideas or suggestions as we build our program. Thanks to all of you who wrote letters of support of the program to the Town Council last winter. We are enjoying the fruits of your labor! Sincerely, Renee Piechocki Co-Chair, Chapel Hill Public Art Commission To: Sculptists From: Carol Sterling, ISC Director of Education Subject: Eight Steps to Making a Sculpture Garden: How the Ozark Woodland Sculpture Garden Got StartedÖA Win-Win Story Everyone is invited to read Pat Musickís Web Special on Outdoor Art and Sculpture Parks and Gardens on the ISC Website at: http: www.sculpture.org/documents/webspec/spandg/ozark.htm Sculptor Pat Musick shares a step-by-step story of a model that will inspire sculptors, and all sculpture parks and gardens enthusiasts! Read her thoughtful and enthusiastic article (which includes 11 images) about learn how the vision for a sculpture garden became a reality. Pat and her colleagues partnered with a college and its faculty and students as well as with state artists. They applied for and were selected as a White House Millennium Trail Site to ìHonor the Past---Imagine the Future.î Artist Pat was selected as an Arkansas Ageless Hero for her efforts to develop the Garden. Pat also invites you to email her with questions/comments or more information at: camus@madisoncounty.net and to visit her website at: www.camusart.com To: Sculpture Colleagues From: Carol Sterling, ISC Director of Education Subject: Visit the ISC Web site at www.sculpture.org <http://www.sculpture.org> to see the expanded and updated Directory of Undergraduate and Graduate Sculpture Programs The International Sculpture Center is pleased to announce that it has just launched its Directory of Undergraduate and Graduate Sculpture Programs on the ISC Web site. The Directory is one the ISC's most ambitious undertakings and service to the field. If you know of students who are looking for a program for further study or you are just curious about trends in sculpture education, we hope you will take a look. Please tell your colleagues about this new initiative and especially encourage those who are involved in sculpture education to contact Carol at carol@sculpture.org <mailto:carol@sculpture.org> if they would like additional information on how they can submit materials about their school's program. MADDOCK GALLERY BARCELONA Calle Cardedeu 7 A Torre, 08023 Barcelona. Tel. 93 285 34 26 - Fax or Message. 93 285 34 33 E.mail maddock@sirt.es Exhibition in March 2002 Mediterranean Feeling Part V Felix PLANTALECH Nine works on heavy hand made paper, drawings of a few small vineyards in the Penedes area; recently stripped of their ancient vines, making way for new plants and new methods of farming, thus becoming part of a grand anonymous extension of land. Marisa ORDO‹EZ Five original unique sculptures in marble and in wood reflecting the strength and grace of the female form. In the lower Gallery our open stock room with work by: Pilar ALDANA MENDEZ - Ernest ALTŠS - Alfonso ALZAMORA Enrique ASENSI - Pere AMILIBIA - Antoni CAMARASA ¿ngel CAMINO -Anet DUNCAN - Robert LLIM²S - Cado MANRIQUE Josep MUNDET - Miquel PLANAS - JosÈ Luis PASCUAL ¿ngels RIBŠ - ROQŽE - Manel ROVIRA - Dominica S¿NCHEZ Cyril TORRES y Pepe YAGÐES. MADDOCK GALLERY BARCELONA The Vineyard called "The Two Cypress Trees" Autumn 2001 Drawing with mixed media and collage on heavy hand made paper. 75 x 50 cm. The price of each unframed original drawing 900.00 euros V.A.T. or postage not included. MADDOCK GALLERY BARCELONA Marisa ORDO‹EZ Marble from Calatorao 1995 Iron Base 46 x 25 x 14 cm. Unique work Price 2250.00 euros V.A.T or postage not included. MADDOCK GALLERY BARCELONA Nota bene: Traffic Problems in the City due to the European Summit. There will probably be a lot of chaos in Barcelona this coming week due to the security arrangements for the European Summit, as we are in the higher part of the City we do not expect too many problems. Please call if you need help to reach us. The Gallery will be open as usual on Tuesday, Wednesday, Thursday and Fridays afternoons from 6 - 8 p.m. As usual on Thursday Evening, March 14 after 7.30 p.m. for our weekly open house. The following Thursday March 21, 2002 both artists Felix and Marisa will be present to talk about their work. UrbanArts Institute at Massachusetts College of Art, Boston, MA invites you to attend Envisioning Opportunities for Public Arts for the New Central Artery Land Saturday, March 2, 2002 from 8:30 am to 3:30 pm This symposium is a free public event. Representatives from the Boston Redevelopment Authority, the Central Artery/Tunnel Project, the Office of Cultural Affairs, Parks and Recreation, and the Artery Business Committee will be joined by keynote speaker public artist Barnaby Evans, creator of Waterfire, and by public artist and architect Wellington Reiter. The UrbanArts Instituteís goal is to bring together the projectís major stake holders, to facilitate an ongoing forum to discuss the integration of public art and design, and to encourage a unified vision, coherent identity and clear sense of place for the new Central Artery land. RSVP/information contact: Barbara Hurley UrbanArts Institute at Massachusetts College of Art Tower Building, Trustees Room, 11th floor 621 Huntington Avenue Boston, MA 02115 Tel: 617-879-7971 Email: barbara.hurley@massart.edu Please look at the attached link for information on the exhibit at The Field Museum. The exhibit opens later this month and will continue through May 13, 2002. http://www.fieldmuseum.org/exhibits/pierwalk_tempexhib.htm Thanks for your support, Joseph Tabet QUERIES Randy, I am interested in knowing what your 'sculpture readers' think about the charging of an entry fee for submitting slides to a (sculpture) show. I have been fighting entry fees for so many years. I don't understand why artists (and jurors) continue to support this practice. It takes work on the part of the exhibiting institution to raise money. It shouldn't be done by the artists....it just doesn't make sense. can I get some feed back. Carol Seitchik Beverly, MA carolsei@attbi.com Randy, My letter to the Gray Foundation at the posted address was also returned, like Pat's. Mine, however had a forwarding address stickered to it. I remailed to that address and got a nice form letter in response saying that they were pleased to have helped some artists but they're tired and are taking a two year break from grant giving. Anyone know of artiats/projects they have funded? Randy, The Nancy Gray Foundation is currently NOT awarding grants or accepting grant applications. They may do so again in the future. I checked this out. Pat Warner Pat Warner Sculpture Phone/Fax: 562-694-1637 www.keyway.net/~patnjeff/PatWarnerSculpture.html Randy, The Nancy Gray Foundation responded to my inquiry weeks ago by saying that they could not fund anyone at this time. Betsy Damos Hello artists, I am the development assistant at the NC Arboretum. We have one outdoor sculpture installed (which was purchased with a donation) and could possibly acquire more over the years. I am trying to find out what is reasonable compensation for the artist for routine maintenance and repairs. Does anyone have a sample contract they could share with me or other info, which we could use to create our own maintenance agreement? Thanks. Please respond directly to my email address: oconstable@ncarboretum.org. Ondine Constable Joseph- In my opinion there are plenty of public art symposia. for example this oncoming in Nashville: http://www.americansforthearts.org/services/events/artworks_pubart.asp?id=621"> But what about narrowing the focus to memorials? Maybe you should organize a conference with artists, cultural critics, historians, psychologists, and neurobiologists to consider collective memory, its loss, and commemoration through the arts. It seems to me that Gaudens most moving works speak to a sense of loss and memory. DF -- David Finn Associate Professor Wake Forest University Department of Art (336) 758-5077 finndt@wfu.edu Dear Joseph Covington, The idea of developing a symposium on public art, geared towards the general public, sounds great. A symposium on dealing with contemporary memorials also sounds good. I just wonder about combining the two. Often, the concept that the general pubic has about public art is restricted to memorials, since that is often the limit to the public art they experience. Focusing the symposium on memorials would only add to that narrow scope, and they might miss out learning about public art in transportation (what about art on the new light rail system? I have heard nothing about that as a possible site), artist design teams, temporary projects, the internet as public space, and community based projects. I might gear the memorial discussion to administrators, and the public art overview to the general public. Or, make the memorial discussion one part of the picture. Or, as a launching point into the field at large. By the way, if you do want to talk more about memorials and touch on 9-11, Americans for the Arts has been collecting a massive amount of information about artist and community responses nationwide. Take a look on the website, www.AmericansForTheArts.org. This past weekend I was in Philadelphia for the CAA conference. I sat in on a fantastic public art panel led by Penny Bach, with artists Mei-Ling Hom, Peggy Diggs, Mierle Laderman Ukeles, and Jody Pinto. A thoughtful comment that came from the artists, which I have heard echoed by friends, colleagues, and family in New York, was the plea for people to not rush towards a "solution" for the WTC site. That there is so much healing, thinking and understanding that needs to be done before proposals rush in. The dialogue you describe might be an interesting way to have that discussion in NC. Please let me know if I can be of any assistance. Renee Piechocki