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From: EEL111
WHAT IS THE BEGINING OF AN OUTDOOR SCULPTURE PIECE---IS IT THE SPACE WHICH DRAWS THE ARTISTTS INTEREST?WHAT IS IT ABOUT THIS SPATIAL INTERSECTION OF THE CURIOUS MIND WHICH CAUSES ONE TO DELVE INTO INNOVATIONS FOR SAID SPACE?THERE MUST BE A CONNECTING EMOTIONAL ELEMENT WHICH DRAWS AN ARTIST TO A SPACE---OTHERWISE WHAT'S THE USE? THERE MUST BE A PASSIONINFORMED BY AND WITH SAID SPACE IN ORDER FOR THE SCULPTURE TO 'WORK' WITHIN THAT SPACE AND TRANSMIT LANGUAGE TO THE VIEWER-LANGUAGE BEING AND ENCOMPASSING VISUAL LANGUAGE,KINESTHETIC LANGUAGE VECTORIAL LANGUAGE OLFACTORIAL LANGUAGE....ETC. THE THING MUST SPEAK. HOW ELSE WILL IT TRASMIT IT'S COURSE-COURSE IN TERMS OF ITS TRANSFORMED STATE OF BEING BY THAT WHICH THE ARTIST DID TO THE MATERIALS WHICH THE THING {ART PIECE} IS MADE OUT OF.THIS TRASFORMATION OF MATERIAL AT THE HANDS OF THE ARTIST NEEDS TO BE PERMEATED WITH A MEANINGFULLNESS IN ORDER FOR THE THING TO DIVULGE ITS ENTITYNESS OR BEINGNESS IN THE WORLD. THIS IS ESPECIALLY COMPLICATED BY THE FACT THAT WHEN IT IS A PUBLIC/OUTDOOR SCULPTURE IT MUST ALSO WORK WITH THAT SPACIAL ELEMENT IT ENCOMPASSES AND ITS SURROUNDING NATURAL OR ARCHITECHTONIC ELEMENTS. THIS IS THE TRICK OF OUTDOOR SCULPTURE AND WHY SO MANY TIMES ONE LOOKS UPON A PIECE AND RECOGNISES THAT IT SEEMS MORE LIKE A LUMP OF ALIEN ELEMENTS DROPPED IN A SPACE WHICH IT HAS NO SENSE OF BELONGING IT-I.E. IT LOOKS AND FEELS WRONG OR OUT OF PLACE. SUCH IS THE TIGHTROPE WE WALK AS ARTISTS...